It must be a reinvention that retains the essence of what makes the application attractive for musicians. Logic Pro For iPad can’t simply be an imitation. Now Logic Pro itself has made the move and to succeed, it too needs to have a reason to exist on the iPad, embracing the interaction models unique to this device, such as touch‑first and Pencil‑based input. Rather than simply port the Mac version of GarageBand, Apple reimagined it, creating an app that was both recognisably GarageBand yet clearly defined for the iPad. And what Apple so deftly demonstrated with GarageBand was how to create a user interface tailored to the delicate, yet imprecise, caresses of our fingers. Large parts of Logic’s underlying audio engine have been running on iPads since 2011, when an iOS version of GarageBand was introduced. With their iPad version of Logic Pro, have Apple succeeded in implementing a touch‑first user interface without sacrificing pro features?
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